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Embodied Resistance

Embodied Resistance is a series of four self-portraits in which I carry a branch of foye collected at the San Francisco Botanical Garden. Also known as canelo (Drimys winteri), foye is native to the forests of Southern Chile and Argentina and holds profound cultural, medicinal, political, and spiritual significance for the Mapuche people.

Link to Essay: First Movement, Spiral Time and Transformation

Everything started with an encounter that happened some years ago visiting the San Francisco Botanical Garden and I saw for the first time in my life a foye tree. I lived most of my life in Chile and I had never seen a foye until that visit to a botanical garden six thousand miles north from my homeland. This encounter left a deep impression and triggered a line of questioning about roots, trade, indigeneity, colonial networks, knowledge, and my process of identity formation.

 

While researching the tree, I came across an illustration of an historical engraving from the 17th century and I was struck by the gesture of a boquifoye holding a branch of foye in what was a political encounter, the first treaty between Mapuche and Spaniards.

Photography by Hadley Razor | Untitled, Illustration of the Parliament of Quillín (1641) from the book Histórica relación del reyno de Chile, Alonso de Ovalle, cartographer. Printed 1646. Installation at Life in Transmotion, California Institute of Integral Studies (CIIS), San Francisco, 2023

Installation at the Fine Arts Gallery, San Francisco State University, San Francisco, California, 2022

Embodied Resistance: Kiñe, Epu, Küla, Meli, archival inkjet print, 30” x 20”, Fine Arts Gallery, San Francisco State University, San Francisco, CA 2022